Ale
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金·托雷斯
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Ale, a seventeen-year-old woman, lives in rural Costa Rica with her two younger siblings. Through landscapes fueled by silence, resentment and brief moments of joy, Ale will try to protect them from the seething truth, their mother has left them and is not coming back.
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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罗贝尔·盖迪吉昂
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在马赛老城的工人阶级社区，护士罗莎是该社区的灵魂与核心人物，同时也是一个亲密无间的大家庭的女主人。当罗莎临近退休，她周围的人都怠于政治，她因而感到万念俱灰。直到遇到亨利后，罗莎才意识到实现自己的政治与个人理想永远不会太迟。
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Alex Helfrecht,Jörg Tittel
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Djata is a care-free 12-year-old growing up in the dystopian Homeland. When he finds out that his father Peter has been imprisoned by the authorities and he and his mother Hannah are labeled traitors, Djata vows he will not rest until he sees his father again.
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伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪，只能依靠呼吸机呼吸，此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特（Ian Bonhôte）和彼得·埃特迪吉（Peter Ettedgui）巧妙地将时间前后推移，编织出双重叙事，探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变：1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前，里夫让世界相信人类可以飞翔；他的意外事故让全世界关注残疾。 在《超/人》中，里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众，突出了超人背后的那个人——这不是一部传记，而是一幅完整的肖像，涵盖了里夫人生旅途中的辉煌和黑暗。
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Troy Hale
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内详
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纪录片深入探究有关放屁的历史、幽默、社会和人际问题。这个20次艾美奖获奖的纪录片团队的一个主题,我们只是不谈论(但大笑很多),放屁。为什么会引起笑声?在不同的文化中,它是否一直很有趣?男性和女性放屁的区别是什么?为什么会发生?现在是否更能为社会所接受?这是一部长期的纪录片。这个话题有点"古怪",但肯定很有趣。所有人都放屁。在这个问题上,每个人都有相似的情绪、观点和观点。所有人都笑了。这部纪录片完全错误的地方就是被采访的人。他们中有一半没有明显的理由去那里,他们只是随便的人。他们中的大多数人没有什么有趣的话要说。这部纪录片在科学上几乎没有什么价值。
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Ali Zamani
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Beauty Blogger Alexa Landry only had one fear, plastic surgery. Sh苍井空大尺寸视频大全e ultimately had to face this fear when she was kidnapped with her f重生我的书记人生riends by Dr. Cunningham. A deranged plastic surgeon who is obsessed with beautifying his vi新三国免费观看完整版ctims.
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Nick Chinlund
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原美国特种兵杰克•坎贝尔（Max Martini 饰）因殴打残酷暴虐的上司而被逐出兵营，落寞的他回到家乡，却发现弟弟乔伊（Brandon Quinn 饰）被人打成重伤，昏迷不醒。乔伊的妻子莎拉（E蜜芽miya2288188永不失联rin Cottrell 饰）怀有身孕，为了让妻儿生活幸福，他拼命打工赚钱，结果因赌博欠下巨额赌债，为此不得不在黑市拳组织者波普（Nick Chinlund 饰）的安排下参加黑市拳比赛，导致身受重伤。 杰克发誓为弟弟报仇，四处寻找凶手，其高超达科塔 高尤身手被波普相中。在这个狡猾的组织者的策划下，杰克步入黑市拳赛场，一步步向拳场的王者艾赛亚•格里芬（Sidney S. Liufau 饰）发起挑战……
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布莱恩·凯利,Billie Eltringham
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Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James. Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinos善良的小峓子 中文版aur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe. This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle). Commented John Simm: “I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.” Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective. Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m. Commented Huw Kennair Jones: “We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.” Executive Producer Patrick Schweitzer said: “I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.” Author Peter James said: “As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.” Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios. Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip f超人气影视网or episode two, Tony Marchant for episode three and Jess Williams for episode four. Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer. The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years. In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances. You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police. The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.
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尼尔森·卡洛·德洛斯桑托斯·阿里亚斯
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河马本在非洲，怎夜色福利院在线看会流落南美？又怎说起人类语言，叩问我来自何方、为何讲话、为何被杀等大哉问，仿佛是位哲学家？70年代，哥伦比亚毒枭走私河马，圈养在家当宠物。毒枭死后迈克杰克逊 mv河马逃窜荒野、繁衍成群，政府认定数量失控、批准猎杀，佩佩成为美洲史上第一只被枪杀的河马。本片以佩佩的死后独白为舵，驾驶狂想飞船穿梭时空，上溯当年莫名渡海台湾贝贝来异乡，下述偶遇人类引误解，并将河马的外来种命运化为隐喻，折射出阶级、殖民、独裁等多重命题。
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恩斯特·德吉尔
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Vera and André are a couple who get the chance to pitch their business at a prestigious competition. Before the competition, luca韩剧Vera tries hypnotherapy沙漠之心 to quit smoking, with an unexpected side effect: she loses all social inhibitions. André has a hard time dealing with this. When it risks ruining his 英雄联盟大脚战斗力查询career, he’s torn between accepting her new personality and taking drastic measures to make her stop.
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西莉亚·里科·克拉维诺
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The 终极一班4 电视剧storyline tells of how 42-year-old Teresa changes her holiday plans and spends the summer with her mother, Ani. However, living together day and night after so many years is not easy for either of them. Used to living al斗罗大陆1到200集免费观看完整版one, it’s hard for them to agree on even the most trivial of things. Nevertheless, this enforced cohabitation will also bring certain revelations for both of them.
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安德烈·科林考夫,阿列克谢·特斯蒂斯林
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2012国语免费完整视频播放影片讲述了凯和格尔达生活在一个安静舒适的小镇上，几个强大的冰怪物突然降临到这个小镇，冻结了所有的居民，但是，冰雪公主伊拉挺身而出，和伙花季传媒app下载免费伴们一起最终再次封印了冰怪物们，整个小镇的居民们也终于从冰冷的束缚中解放出来的故事。
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安德烈·科林考夫,阿列克谢·特斯蒂斯林
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影片讲述了凯和格尔达生活在一个安静舒适的小镇上，几个强大的冰怪好妈妈在线观看完整版中文神马物突然降临到这个小镇，冻结了所有的居民，但是，冰雪公主伊拉挺身而出，和伙伴们一起最终极品公爵再次封印了冰怪物们，整个小镇的居民们也终于从冰冷的束缚中解放出来的故事。