Aaron Monaghan

搜索"Aaron Monaghan" ,找到 3部影视作品

恐怖地窖
导演:
/ Brendan Muldowney
剧情:
  About a week after the Woods family move in to Xaos House, their daughter Ellie goes missing during a power cut. Ellie's 终极快递2mother Keira investigates and finds that the walls have strange symbols engraved into them. After a number of terrifying supernatural experiences she comes to the conclusion that the house took Ellie. She discovers that a physicist and occultist c24小时在线播放免费观看视频alled John Fetherston, who was obsessed with finding the 11th dimension, built the house and engraved sinister equations on the 10 steps leading into the cellar. Finally, Keira must battle with the universe’s most ancient evil, or lose her family’s souls forever.
神秘资产第一季
导演:
/ 未知
剧情:
  BBC Four has acquirgar280ed Hidden Assets from DCD Rights, a new international crime d欧美三级在线完整版免费rama shot in Ireland and Belgium starring Angeline Ball.
洛拉电台
导演:
/ 安德鲁·莱格
剧情:
  Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won 李思蓓三级World War II?  Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machin日韩 无码 亚洲电影e that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a da含羞草验研究所免费网站直接进入ngerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?  Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.